A colour unchanged across varying thicknesses of air
Chapter 198 proves by degrees of air-thickness and distance when a colour keeps its power
A text page of the Treatise on Painting, with a small framed diagram in the right margin, opening chapter 198 on the colour that shows no variation across different thicknesses of air. Leonardo argues this happens when the proportion of the air-thicknesses and the proportion of the distances from the eye are the same but converse. He sets out a proof with letter-labelled points: the eye a, a colour h one degree away in air of 4 degrees thickness, which raised into thinner layers must be moved twice as far (through a f and f g to g, then to height e), so that equal power is preserved. The marginal figure shows three horizontal bands labelled one, two and four degrees of thickness crossed by sight-lines.
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When one colour makes no change over varying air (chapter 198)
It is possible for a single colour to make no change at various distances. This occurs when the proportion of the air-thicknesses and the proportion of the distances the colour has from the eye are one and the same, but converse.
Proof by degrees of thickness and distance (a, h, f, g, e)
Let a be the eye and h a colour one degree away in air of 4 degrees of thickness. Because the layer above (m n l) is half as thin, the colour must be set twice as far, along a f and f g to colour g; raised again into double thinness (o m p n) it must stand at height e, distant the whole line a e. The degree a b and the degree a f, being one same thickness, are alike and equal.
Marginal diagram of air layers by thickness
A small framed figure in the right margin shows three stacked horizontal bands labelled one degree of thickness, two degrees and four degrees, crossed by converging lines that carry the colour from the eye through progressively thinner air.
