Telling Colours Apart; Incident and Reflected Lights
How to distinguish near-identical colours; a shadowed body lit by two sources
A text page of the Trattato della pittura (folio 74 verso) that finishes the argument on firelight and opens a chapter on the colours of incident and reflected lights. In a dark room where both an opening of daylight and a candle-flame fall on an object, the colours' differences become clear; without such comparison only the most similar colours (white from pale yellow, green from blue) can be told apart, since yellowish light on blue effectively mixes into a fine green. The new chapter then sets out the cases of a shadowed body placed between two lights, classifying them by whether the lights are equal or unequal in power and distance, and how an object equidistant between two equal lights may be lit equally or unequally on its sides.
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Distinguishing similar colours by daylight and candlelight
In a dark room where both an aperture of daylight and a candle-flame fall on an object, the differences of its colours are seen clearly and distinctly. Without such comparison the difference cannot be recognized, except in the most similar colours, such as white from pale yellow or green from blue; a yellowish light illuminating blue is like mixing blue and yellow into a fine green, made finer still by adding yellow to the green.
Two lights placing a shadowed body between them (a)
When two lights set the shadowed body between them, they can differ only in being of equal or unequal power. If equal, their splendour on the object may again vary as equal or unequal, equal when at equal distance and unequal at unequal distances, so the object is more or less illuminated according to the lights' equal power and distance.
An object equidistant between two equal lights (b)
An object set at equal distance between two lights equal in colour and splendour can be illuminated by them equally on every side or unequally. It is lit equally when the space remaining around the two lights is of equal colour and darkness or brightness; unequally when that surrounding space differs, the sentence breaking off onto the next page.
