A quarter-braccio window shows a hundred-mile horizon
Objects seen through a small hole shrink to confusion, and why distant peaks show their natural darkness
Continuing the window demonstration, Leonardo says that things seen through a small aperture become so minute that not only their parts but the whole seem impossible to portray. If the eye is at o and a hole of a quarter braccio (equal to the painted panel a b) is set half a braccio away, then through that space one sees everything within a hundred-mile horizon in such confused diminution that the smallest brush-dab would be larger than a great building ten miles off. Chapter 798 then explains why distant mountains look darker at the peak than at the base: the air thickens with lowness and distance, so the higher peaks are less hindered by it and show more of their natural darkness. A triangular diagram of the aperture (labels m, n, b, a, o) and a mountain diagram with layered-air labels are inset in the text.
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Through a hole of a quarter braccio a 100-mile horizon shrinks to confusion
If the eye is at o and a hole of a quarter braccio, equal to your painted panel a b, is half a braccio away, then through that space you see everything within a hundred-mile horizon in such confused diminution that the smallest dab of the brush would be larger than every great building set ten miles off.
Chapter 798: air thickens with lowness and distance, so high peaks show their darkness
The air acquires degrees of thickness at every degree of its lowness and distance, so the higher-rising peaks show more of their natural darkness, being less hindered by the thickness of the air at the peak than at the base. The degrees o p, d s, c r, a k are layers that grow thinner as they rise; a f, f h, h k are transverse degrees where the air gains thickness.
Two inset diagrams: a triangular aperture and a layered-air mountain
Near the top a small triangle marks the viewing aperture with letters m, n, b, a, o. Lower on the page a mountain range is drawn in profile with ruled horizontal and transverse lines for the layers of air, labeled o, p, d, s, c, r, a, k and f, h, illustrating how air thickens toward the base.
