Angle of incidence in a concave mirror and compass constructions
Circles through given points, elementary constructions, a signed 'Vale'
The sheet is crowded with circles, arcs and compass constructions worked out to locate the angle of incidence on a concave mirror n a m, argued to lie at the point where equal chords cut equal arcs. Around this run short problems on drawing the unique circle through three given points, bisecting lines, finding a circle's centre, erecting perpendiculars and drawing parallels, interspersed with columns of arithmetic. The block on the three-point circle ends in the manner of a letter, with 'Farewell' and the signature 'Your Leonardo'.
On this page
Locating the angle of incidence on a concave mirror
To find the angle of incidence in the concave mirror n a m: it lies at the point a, because the portions n a and m a are equal by the definition of the larger circle, that is, because the chords are equal and the arcs of equal curvature.
The unique circle through three given points
Three points taken at random are always equidistant from a fourth point, on which the compass foot is set to draw a circle receiving them. Two points, by contrast, admit infinitely many circles. Finding the point equidistant from the three intersections S r d gives the curve whose crossing with the given circle marks the required angle of incidence.
A set of elementary compass constructions
A run of short problems: erect a line at the end of another making two right angles; find the centre of any circle from a part of its circumference; bisect any straight or curved line; draw a line parallel to a given one; and raise a perpendicular at a given point. Each is stated as the 'briefest way'.
Perpendicular at the end of a line, two right angles
Give a line across the end of another line so that it forms two right angles, the construction Leonardo flags as the briefest way. It supports the mirror work above, where the incidence is fixed by equal arcs about a right-angled setting.
Columns of calculation among the figures
Two clusters of arithmetic sit among the diagrams: one near the centre (42; 1 3 7; 2 x 4 = 8; 32) and a longer set of multiplications lower right (28 x 12, 56, 28, 8, 336). They read as working figures beside the geometric constructions.
A letter's closing: 'Farewell. Your Leonardo'
The three-point-circle passage ends epistolary in tone: 'Of the proof I will spare the already-blamed effort. Farewell. Your Leonardo.' The signed close treats the geometric result as if addressed to a correspondent.
