Squaring the circle: dividing portions and 'quadrable' figures
De ludo geometrico studies — halving circular portions, lunes, crosses and the recurring 'four maxima'
A densely written sheet of geometrical play devoted to the equivalence of curvilinear figures and the squaring of the circle. Leonardo halves and subdivides circular portions (using a proposition of Euclid to convert a scalene triangle into an isosceles one whose base is the chord of the arc), and repeatedly notes that a figure becomes 'quadrable' once its 'four maxima' — sixteen 'minima' distributed as eight lunes and eight portions — are removed. Dozens of small diagrams show circles inscribed with squares, stars, sectors, truncated triangles and a cross built of sixteen equal curvilinear triangles. Some figures and texts along the column are marked as crossed out.
On this page
Halving a circular portion by an equal-sided triangle (Euclid)
To halve the portion a f d, Leonardo invokes a proposition of Euclid: make the base angles at a b equal and draw the angle d over to c, converting the scalene triangle a b d into the equal-sided triangle a b c. The base of each triangle must always be the chord of the arc of the portion, and the equal partitions can then be repeated to infinity.
Curvilinear triangles that are 'in themselves quadrable'
The curvilateral triangles a b c d are quadrable because they lack the 'four maxima' — that is, sixteen 'minima' distributed as eight lunes and eight portions. This 'four maxima' bookkeeping recurs across the sheet as the test for when a curved figure equals a square.
Dividing a portion into similar sub-portions by proportion
A second method yields sub-portions geometrically similar to the whole. To take half of a given portion, Leonardo draws out a similar portion that is subduple to it — or subtriple, or in whatever proportion one wishes.
A cross built from sixteen equal curvilinear triangles
The cross inscribed in a double circle is composed of sixteen similar and equal triangles, each with two straight sides and one concave curve. Eight of them form the square that contains the cross and eight compose the cross itself; added to the circular 'parallel' it equals the maximum square of the maximum circle.
