Recipes for perfumes, whites, and reviving oil colours
Studio and household formulae, framed by two proverbs on time and speech
Two columns of practical recipes written in mirror script, with no diagrams. The right column gathers formulae for perfumes (steeping scents in aqua ardente, perfuming almonds among orange blossom and jasmine), a purgative, and two ways of preparing white pigment from calcined arum root and weathered white-lead. The left column explains how to revive dried oil colours by soaking them in soap-lye, how to strip the crust from corals and shells, and gives a recipe for a fine yellow from realgar or orpiment dissolved in aqua fortis. Each column opens or closes with a moralizing proverb about the flight of time and the deadliness of the tongue.
On this page
Reviving dried oil colours in soap-lye
To recover oil colours that have dried, soak them overnight in the master-lye of soap and work them with the finger, then pour off and wash with water. Each revived colour is to be kept in its own glass and, before use in tempera, washed five or six times with well-water and left to settle; if the lye grows turbid it is passed through felt.
Preparing whites from arum root and weathered white-lead
One white is made by drying, burning and calcining the roots of the arum. Another is made by spreading white-lead a cord's thickness in a pan and leaving it fifteen days in sun and open air, sprinkling it hourly once the dew has dried and adding water daily until it is liquid as a sauce.
Two proverbs: fleeting time and the deadly tongue
The right column opens with a maxim that flying time runs on secretly and deceives, that nothing is swifter than the years, and that he who sows virtue reaps fame. The left column closes with the proverb that the mouth has killed more men than the knife.
