Squaring the circle: kinds of curved surface, lunes and triangles
A catalogue of curvilinear surfaces with figures showing lunes equal to triangles and squares
This crowded sheet is a sustained attempt at squaring the circle. Across the top Leonardo names six kinds of surface — one-angled, curvilinear-triangular, two-angled, quadrangular, lunar and 'parallel circle' — and below fills the page with circles subdivided by semicircles into lunes, two-angled figures and rosette forms. He states that circle is to circle as the square of the diameter is to the square of the diameter, and repeatedly shows that lunes are worth triangles or squares of equal value. Some figures he marks 'first', 'second', 'third' and 'fourth', while one construction of eighteen semicircumferences he flatly labels 'false'. Further mirror-script notes are present on the sheet but not transcribed here.
On this page
Six kinds of surface
Along the upper margin Leonardo lists six types of surface: one-angled, curvilinear-triangular, two-angled, quadrangular, lunar, and 'parallel circle'. These names organize the many circle-and-lune figures that follow across the sheet.
Circle to circle as the square of the diameter
Between two parallels he states that the proportion from circle to circle is as that from square to square made by multiplying the diameter of the circle by itself. This ties the areas of circles to the squares of their diameters.
Lunes worth triangles (a b lunes and e d triangles)
Two circles containing smaller circles are used to prove that the lunes a b are worth the triangles e d. Removing the parts e f from the smaller circles and the like from the middle circle leaves equal remainders, so the triangles e d equal the two lunes a b.
A construction marked 'false'
A figure made of eighteen semicircumferences drawn within a single circle is labelled simply 'false', marking a quadrature attempt Leonardo rejected. It stands among the successful lune-and-triangle equalities elsewhere on the sheet.
Four figures: division, removal, quadrature, composition
A group of figures is read in sequence: the first n m is a circle divided equally; the second shows removal of the four greatest portions of the greatest circle set in the two-angled figure c; the third gives the squaring b within the portions d c f g; the fourth composes the squaring of four circles and of their field.
A curved figure worth half the greatest square
In the lower left corner a motif of sinuous lines within a circle is said to be worth half the greatest square of the greatest circle. A companion figure lettered a is instead worth the whole greatest square of the greatest circle.
