Quadrature of lunes and an instrument for reflected light
Squaring lunes, a jointed device for the angle of reflection, and the colour of illuminated bodies
A crowded sheet joining geometry, optics and painting. A long series of figures - circles within circles, semicircles, inscribed squares and paired bisangoli - work out the quadrature of lunes, Leonardo showing that a lune is worth half its greatest circle and that curved figures may be squared by filling concave with convex. In the main column he describes building a jointed wooden instrument, worked like a compass, to find the angle of contingence (the angle of reflection) at which the image of a light source is seen. Two notes headed 'Painting' add that every surface partakes of the colour of its object, and a diagram of blue and yellow objects lighting a white sphere shows them mixing to a beautiful green, with a promise to prove it by projecting images through a small round aperture into a dark chamber, everything appearing upside down.
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A lune is worth half its greatest circle
In the circle-within-double-circle lettered d c, f e, b n a, the surface is worth half of its greatest circle, since that greatest circle is double the least; hence the lune is half the whole greatest circle. Removing the two portions a b from the lune and restoring as much with the four portions c d e f shows that c d e f with n is worth the entire lune.
Squaring curved figures by filling concave with convex
In a figure with two bisangoli lettered b a c, the figure a b c d with its four portions is worth the lune above without its middle square, and it is squared by filling the concave with the convex. Related figures assert that a is worth b, and that the circles are each quadruple the other.
A jointed instrument to find the angle of reflection
To find the angle of contingence by an instrument: over the centre of the circle o n m a thin grooved wooden rule d f is pinned, and two equal laths are joined at the same pole like a compass. The strip S g, hinged at pole S and grooved, carries a needle at the luminous point a; moving its end g up and down until the circumference is seen at the angle o proves the work by the equal angles within the square S b d o.
Every surface partakes of the colour of its object
The surface of every body partakes of the colour of its object; the colours of illuminated objects imprint themselves on one another's surfaces in as many different places as there are varieties in the positions of those objects.
Blue and yellow objects make green; images through a small aperture
A blue object o alone tinges the space b c of a white sphere blue, while a yellow object m lights the space a b with it and tinges it green, since blue and yellow make a most beautiful green. The rest belongs to the book of painting, to be proved by letting the images and colours of sunlit things pass through a small round aperture into a dark place onto a flat white wall - though everything will appear upside down.
