Man as Mover of Weights; the Balance of the Figure
Lifting, dragging, pushing, and pulling by rope; motion born of lost balance; the figure poised on one foot
The leaf closes the theme of counterbalance, noting that one about to fall backward throws out the arm on the opposite side, then opens a chapter on human motion cross-referenced to Leonardo's Book B (folio 15). When a man is made the mover of a weight, the motions follow different lines, stooping to lift, dragging behind, pushing forward, or pulling down by a rope over a pulley, and the man pulls as much as his center of gravity lies outside his support, aided by the force of legs and bent back. A short chapter states that motion is created by the destruction of balance, growing faster the further a body departs from equilibrium. A final rule on the balance of figures, with two small pen nudes standing on one foot at the lower right, states that the resting-side shoulder always drops lower while the pit of the throat sits above the middle of the supporting leg.
On this page
Man as the mover of a weight: the lines of exertion
When a man is made the mover of a weight, the motions run along different lines: lifting by stooping and straightening, dragging something behind, pushing it forward, or pulling down with a rope that passes over a pulley. The man pulls as much as his center of gravity lies outside his support, with the added force of the legs and the bent back straightening itself; and one never walks, ascends, or descends without the rear foot raising its heel.
Motion is created by the destruction of balance
Motion is created by the destruction of balance, that is, of equality, since nothing moves of itself unless it departs from its balance. The more a body removes itself from its balance, the faster it moves.
The balance of the figure poised on one foot
If a figure rests on one of its feet, the shoulder of the resting side is always lower than the other, and the pit of the throat sits above the middle of the supporting leg. Two small nude studies at the lower right of the page demonstrate this poise.
