Balance of the Body: Simple and Compound Ponderation
Centre of gravity over the supporting foot, and Hercules crushing Antaeus as an example of compound balance.
This page of the Treatise on Painting opens with why a man driving a bar into the ground raises and bends the opposite leg to balance over the planted foot. It then defines the ponderation of bodies at rest, dividing it into simple balance, where the centre of gravity falls on a perpendicular over the supporting foot (or midway between both feet), and compound balance, where a man carries an added weight through varied motions. Leonardo illustrates the compound case with Hercules crushing Antaeus, the hero leaning as far behind his feet as the lifted body's centre of gravity lies in front. A small pen sketch of figures accompanies the text.
On this page
Simple balance and the centre of gravity
Simple ponderation is made by a man on his immovable feet: however he opens the arms or bends, the centre of his gravity always falls on a perpendicular line above the centre of the supporting foot. When he rests equally on both feet, that centre falls perpendicularly at the midpoint of the line joining the centres of the two feet.
Hercules and Antaeus as compound balance
Compound balance is made by a man supporting an added weight through varied motions, as in figuring Hercules crushing Antaeus. Lifting Antaeus from the earth between breast and arms, Hercules must lean his own figure as far behind the central line of his feet as Antaeus carries the centre of his gravity in front of those same feet.
Sketch of grappling figures illustrating balance
A small pen drawing set between the text columns shows a cluster of nude figures, one apparently lifting or grappling another while others stand or lean nearby. The vignette illustrates the compound balance of the passage, showing how a body burdened with a lifted load shifts its counterpoise over the supporting feet.
