The Paragone: The Eye as Window of the Soul; Music the Sister of Painting
Praise of the eye ends the poetry debate and opens the comparison with music
The transcribed prose completes the hymn to the eye: it has generated architecture, perspective and divine painting, is the window of the human body through which the soul enjoys the world's beauty, and by it human industry found fire and discovered navigation, surpassing nature since the works the eye commands the hands to make are infinite. With the words 'End as regards poetry and painting' the debate closes, and section [29] opens the new comparison, arguing that music should be called the sister and the younger of painting, since it serves hearing, the second sense to the eye, and composes harmony from proportional parts that are born and die in harmonic measures. No drawing appears; only Melzi's fair-copy text.
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The eye, window of the human body
The eye is praised as the generator of architecture, perspective and painting, and as the window of the human body through which the soul beholds and enjoys the world's beauty. Through it human industry discovered fire, which restores what darkness took, and navigation, in which the eye surpasses nature because the works it commands are infinite.
Music called the sister and younger of painting [29]
After 'End as regards poetry and painting,' section [29] argues that music is to be called nothing but the sister of painting, since it is the subject of hearing, the second sense to the eye. It composes harmony from the conjunctions of its proportional parts, performed together and constrained to be born and die within one or more harmonic measures.
