Geometry: naming and grading the degrees of angles
A protractor-like circle dividing obtuse and acute angles into twelve degrees each
Leonardo proposes a system for naming angles by degree, noting that the ancients recorded only the 'acute' and 'obtuse' angles besides the right angle and set no degrees, 'as the musicians did for human voices.' A large circle centered at b has its two lower quadrants each divided into twelve sectors, the radiating lines lettered e f g h i K l m n o p on one side and numbered 1 to 11 on the other, grading the obtuse and acute angles with the right angle in the middle. An accompanying figure of two overlapping circles shows that a right angle at the center cuts off a quarter of the circle and an equilateral-triangle angle a sixth.
On this page
A right angle cuts a quarter, a triangle's angle a sixth
Any right angle joined to a circle's center delimits a quarter of the circle with its two lines, while the angle of an equilateral triangle joined to the same center delimits a sixth.
Proportions in the overlapping-circles figure
In the figure of two overlapping circles (centers a and b, each passing through the other's center), triangle a b f is the sixth part of the larger circle, a n b is half of the inscribed square, and t s is one-eighth of the smaller circle.
The graduated circle divided into sectors
A large circle with two perpendicular diameters at center b has each lower quarter divided into twelve sectors, their bounding radii labeled a e f g h i K l m n o p d on one side and 1 through 11 and c on the other.
Degrees of the obtuse angle
To the right of the figure the obtuse-angle degrees are tabulated: e b d is the first degree, then b f, b g, b h, b i, b K, b l, b m, b n, b o, and b p mark the successive degrees.
Degrees of the acute angle
To the left of the figure the acute-angle degrees are listed: d b 11 is the first degree, then b 10, b 9, b 8, b 7, b 6, b 5, b 4, b 3, b 2, and b 1 mark the successive degrees.
A new rule for naming angles by degree
Because the ancients named only 'acute' and 'obtuse' angles and set no degrees, Leonardo assigns twelve degrees each to the obtuse angles (from a to d) and the acute angles (from d to c) about point b, with the right angle in the middle.
