Nature, the flood-borne shells, and the great cavern
A pro-and-contra meditation on life and death, followed by the famous cavern passage
Two pages of Leonardo's literary prose. The first argues, as a debate between Pro and Contra, over the origin of shells lying in two layers of rock, the earth's submersion beneath the sea, the flood, and nature's endless creation of lives balanced against time's consuming, closing that man is a model of the world. The second is the celebrated cavern passage: after evoking a whirlwind, the north wind, the sea raging between Scylla and Charybdis, and the eruptions of Stromboli and Etna, Leonardo describes arriving at the mouth of a great dark cavern, bending to peer in, and feeling two things at once, fear and desire.
On this page
Pro and Contra on nature, death and the longing for chaos
Nature is said to take pleasure in creating continual lives and forms, being quicker to create than time is to consume, and so ordaining that animals feed on one another and sending plagues on great multitudes, above all on men. The dialogue turns to the soul's hope of returning to the first chaos, likened to the moth drawn to the flame and to the man who longs for each new season without seeing that he desires his own undoing.
Shells in two layers: submersion of the earth and the flood
For the two lines of shells, the text proposes that the earth plunged beneath the sea and made the first layer, and that the flood then made the second. The reasoning treats the marine shells embedded in strata as evidence of the earth's own history rather than of a single deluge.
Whirlwind, north wind, and the eruptions of Etna and Stromboli
The passage compares the scene to a whirling wind sweeping a sandy valley and to the north wind lashing the sea with foaming waves between Scylla and Charybdis. It invokes Stromboli and Mongibello (Etna), where sulphurous flames shut within break open the mountain and hurl rock and earth through the air with the vomited fire.
At the mouth of the great cavern: fear and desire
Drawn by eager desire to see the strange forms made by nature, Leonardo wanders among shadowy rocks and reaches the entrance of a great cavern. He bends his back into an arch, shades his eyes with his hand, and peers into the darkness, feeling suddenly two things: fear of the threatening cave, and desire to see whether some miraculous thing lay within.
