The end of the world, and a fossil fish in the mountain
A prophecy of the earth's death; an apostrophe to a great fossil fish buried within a mountain
Two literary passages face each other. On f.155v Leonardo imagines the death of the world: with the waters shut inside the swollen earth the rivers dry up, the fields bear no corn, the animals and finally mankind perish, and the earth's surface is at last reduced to scorched ash, 'the term of terrestrial nature'. On f.156r, headed 'Example of the thunderbolt among the clouds', he addresses a great fossil fish, once a terror of dolphins and tuna, whose stripped bones now serve as 'armour and support' to the mountain above it, turning to an apostrophe to time, the consumer of created things. The leaf is heavily worn and its ink much faded.
On this page
A prophecy of the end of terrestrial nature
With the water shut inside the swollen earth, the rivers are left without their waters, the fields bear no more corn, and every animal, finding no fresh grass, dies; mankind too must at last abandon life. The barren earth, keeping a little growth from the water shut in its belly, is finally forced to end with the element of fire, its surface left as scorched ash.
A great fish turned to stone within the mountain
The creature that once furrowed the sea with its breast now lies, undone by patient time, in a closed place; with its stripped, fleshless and naked bones it has 'made armour and support' for the mountain set above it. Its cavernous, twisted entrails have been dissolved away.
O time, consumer of created things
Leonardo apostrophises time as the swift consumer of created things, asking how many kings and peoples it has undone and how many changes of state have followed since the marvellous form of this fish died here.
