Balances and the line of gravity to the center of the world
Reversed and upright scales, pendant angles, and where a weight discharges its force
Continuing the mechanical elements, Leonardo classifies balances as reversed or upright, each with equal or unequal arms, and describes the beam's shape as straight, angular or curved with pendants that meet their weights at right, acute or obtuse angles (texts 2, 4, 6). He defines the central line of the universe as running from the center of the world to each body's center of gravity, along which every weight bears (texts 7, 9). A worked case shows a weight m discharging entirely onto a c rather than resting at b, held back either by two walls n m and f g or by the cord a c (text 9). Rows of balance diagrams with letters and numbers fill the margins.
On this page
Two kinds of balance: reversed and upright
There are two kinds of balance, reversed and upright; the reversed exist in two forms, with equal arms and with unequal arms. Among equal weights, the one shows itself heavier that separates at a right angle from the arm most remote from the center of the balance's pole.
Shape of the balance beam and its pendants
The beam of the balance varies in form as straight, angular or curved, and the ways of setting its arms are endless even when the pendants leave the arms at right angles and join the weights perpendicularly. The angles the pendants make in leaving the arms are of three kinds, right, acute and obtuse.
Combinations of right, acute and obtuse angles
Leonardo tabulates how the three kinds of angle pair up: with the right angle the acute and obtuse can stand, with the acute the right and obtuse, and with the obtuse the right and acute, giving six diverse combinations of the cords leaving the balance arms.
The central line of the universe and the center of gravity
The central line of the universe is the one that arises at the center of the world and ends at the center of gravity of each body. Every heavy body weighs along this line, because it is drawn equally toward that middle from every side.
Weight m discharged onto a c between two walls
The weight m does not rest on b but discharges entirely onto a c, pushing along the lines b a and b c upon the poles of the wheels. Two walls n m and f g keep the angle b from straightening and receive the suspended weight transversally; were there instead a cord a c, the weight would distribute along its whole length and act with its full power.
