Balance arms, a painter's colour account, and relative motion
Friction of cart axles, three kinds of balance arm, and a list of pigments and oil
Folio 228v, dense with sketches of balances, pulleys and hanging weights, studies the friction of cart-wheel axle-pins and distinguishes three qualities of balance arm (equal, unequal-natural, unequal-positive) along with the variations of fulcrum-pins and their supports. Folio 227r sets out an itemised account of painting materials, listing pounds and prices for azure of Germany, white lead, vermilion, green, yellow, red lead, ochre, mineral black, wax and oil, summing to 120 lire 18 soldi before gold. Two further notes explain that a balance's equal arms become unequal once in motion, and that of two bodies moving the same way the slower appears to move backward, as clouds seem to drift against the moving sun or moon.
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Axle friction and the three qualities of balance arm
A thick axle-pin of a cart wheel heats up far more than a thin one, because in a single turn a mark on the thick pin is rubbed by a whole arm-length of its socket but only 1/8 on the thin. Leonardo then lists three qualities of balance arm: equal, unequal-natural, and unequal-positive.
Variations of fulcrum-pins and cord positions
The positions of the cords can all be varied, in circular arrangements as in straight ones, since they are alike in nature. There are three variations of the fulcrum-pin on the beam of the balance (above, or below) and two supports of the pin, with the pendant and without.
Itemised account of painting materials
A running account lists quantities and prices in lire, soldi and denari: 20 pounds of azure of Germany, 60 pounds of white lead, vermilion, green, yellow, red lead, ochre and mineral black, plus wax for making the stars and oil for painting. The total comes to 120 lire and 18 soldi, without the gold and the tin for laying it.
Pigments and oil of a painter's stock
The same account itemises a painter's materials: azure, white lead (biacca), vermilion (cinabro), green, yellow, red lead (minio), ochre and mineral black, along with wax and 40 pounds of oil for painting. It records what Leonardo's workshop laid in for colour work and gilding.
A balance's arms turn unequal in motion
Keyed to a lettered figure at the centre-top of the sheet, the note observes that in motion the nature of the balance changes, so that arms which were equal become unequal.
Relative motion: clouds against sun and moon
When two things move the same way and one is faster, the slower seems to move contrary to the faster if there is nothing motionless to compare with. This is seen in clouds that appear to move like the sun or moon toward the west, or in boats on the high sea against the horizon of air and water.
