The nature and power of the pulley; air, lightning and thunder
Pulleys and mechanical advantage, natural versus accidental weight, and the condensation of air
A densely worked mechanical sheet ringed with drawings of single- and double-grooved pulleys, weighted rods and balances. Leonardo defines the pulley as a circular balance of great importance in transmitting and multiplying force, distinguishes an unchanging natural weight from a variable accidental weight (force) that grows with speed, and analyses a balance b e loaded with weights in triple proportion at right-angled arms. A penned passage argues that air is condensable to infinity, using the swift motion of lightning and the generation of thunder as evidence. Extensive further diagrams in pen and pencil, with letter labels, accompany the text columns.
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The pulley as a circular balance that multiplies power
Leonardo calls the pulley (carrucola) a circular balance of the first importance among machine instruments, above all for the transmutation of forces. In a tackle the power of the driver grows as the number of pulleys grows, and diagrams of one- and two-grooved pulleys (labelled 1, 2) illustrate the point.
Natural weight versus accidental weight (force)
Ropes at rest feel an equal weight of the gravity they sustain, which Leonardo names natural weight and holds to be invariable. Once motion begins, the weight distributed in the ropes varies; this he names accidental weight, that is force, which increases the faster it becomes, together with the resistance of the moved body and of the condensing air.
Balance b e loaded in triple proportion
A balance b e, lettered e d c a f b g with weights 3 and 1, is to carry at its ends two bodies in triple proportion of weight. Leonardo asks in what position the equal-armed balance must stand and answers that the position is free at any degree of obliquity, provided the potential arms and real arms meet their appendages at right angles, as shown at c with its real appendage c f.
Potential lever a b sustaining weight e
A pencilled rod and pulley figure is lettered S, 4, e, b, a, 8, n. The potential lever a b sustains a real weight on the real counter-lever a e that weighs 4, though its oblique motion is not worth 4; a counter-power at b can be found that exactly resists the descent of e, since it must be neither greater nor lesser but equal.
Air condensable to infinity, shown by lightning and thunder
In a penned passage Leonardo claims the air is condensable to infinity, evidenced by the swift motion of the lightning that generates the immense celestial thunder. As water thrown on burning embers vaporises into smoke, so the cloud is vaporised and turned into air, which by its growth closes in and constricts the flame born within it.
Air condensing beneath the faster body
A marginal note observes that the air condenses more beneath a faster-moving body and makes it seem lighter than it is, so that the proportion of the weights alters the due proportion of their natural gravity.
