Oblique balances, compasses, and the squaring of lunes
Studies of wavering balance-beams and drawing instruments above; below, semicircles and lunes shown equal to rectilinear figures.
The upper half studies oblique balance-beams: Leonardo argues that the unequal arm-length and weight a balance takes on when tilted cause it to waver, transferring heaviness from the upper arm to the lower. Around these figures are drawn compasses and a drawing instrument ('one fixed and two movable'), together with columns of arithmetic. A marginal note observes that valleys grow higher in surface as they near the sea, because rivers continually carry earth from the mountains to the sea. The lower half is crowded with semicircles and lunes shown, point by lettered point, to equal rectilinear figures — an instance of Leonardo's lifelong study of squaring curved surfaces.
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Why an oblique balance wavers
The inequality of weight and length the balance-arms acquire on becoming oblique is said to cause the balance's wavering, generating an impetuous motion that transfers the heaviness of the upper arm to the lower. Leonardo attributes this transfer to the thickness of the pivot. Three figures of tilted balance-beams accompany the text.
Valleys rise as rivers carry earth to the sea
A note above the figures states that valleys continually become higher in surface the nearer they lie to the sea. Leonardo grounds this in an earlier proposition that rivers ceaselessly carry earth from the mountains down to the sea and carry nothing back from sea to mountains.
A lune and a triangle shown equal
Working from two opposed and divided semicircles, Leonardo argues that the whole lune a b c d equals the whole sector, while the portions a b equal the single portion d. Taking these away, he is left with c d f equal to the whole lune and the whole triangle. The reasoning repeatedly applies the rule that equals removed from equals leave equals.
Comparing circles by doubling
Lettered semicircles are compared on the principle that b c d e derives from a circle double the one giving b c, so that a b c equals b c d e and b c equals a. This 'doubling' relation between circles underlies the equalities drawn across the lower half of the sheet.
Compasses and a drawing instrument
Several compasses are drawn and labelled, one near the tear noted as 'half a pivot and compass-head.' A detail of an instrument for drawing is described as having 'one fixed and two movable' parts. These tool sketches sit among the mechanical figures of the upper half.
