Cords on a wheel and the law of the balance
A spiral drum wound with cords bearing weights, treated as a balance with right-angled threads
Leonardo argues that a cord wound about any wheel must always leave the wheel so that its line makes a right angle with the 'line of division' — the radius from the centre to the point where the cord departs the rim. He then treats the drawn spiral drum, wound with cords carrying hanging weights, as an ordinary balance: the supporting threads always meet the beam at right angles, and a weight hung four times nearer the pole is worth four times more than a farther one. The figures are labelled a x, m, n, o, f r and t, with the numbers 6, 4, 2, 4 and 11. A small red-chalk sketch of a related mechanism appears at the left.
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A cord leaves a wheel at a right angle to the radius
It is impossible, Leonardo states, for a cord wound about any wheel not to make its line a right angle with the 'line of division' — the line running from the centre of the wheel to the point on the rim where the cord parts from it. This right-angle relation is the premise for treating the wheel as a balance.
Weights on the wheel obey the balance; nearer the pole counts more
In this demonstration the simple office of the balance appears: the threads supporting the weights always make right angles with the beam. Leonardo names the 'line of division' as running from the centre to where each thread (such as x a, or f t leaving at f) straightens off the rim. Because weight 4 hangs four times nearer the pole than weight f, it is worth four times more; the rest follow the balance in all its rules.
Spiral drum wound with weighted cords
The chief figure is a large spiral drum or wheel around which cords are wound, each descending to a small hanging weight (several marked with a plus sign) ranged along its edge. This wound-drum arrangement is the physical device to which the balance analysis is applied.
