Why the Bombard Recoils: Fire, Air and Ballistics
Internal ballistics of artillery, the recoil analogy of a man in a cask, and a wall-breaching tactic
This sheet sets out Leonardo's theory of artillery recoil: the fire kindled within the bombard, finding no vacuum to fill, drives back against the resisting air with 'impetuous repercussion,' so that after expelling the ball it thrusts the gun itself backward — like a rocket fleeing its cause, or a man wedged in a wine-cask who pushes himself and the cask back from a wall with his legs. He notes how the placement of the touch-hole and the speed of the powder govern both the ball's flight and the strength of the recoil. A tactical note advises breaching brick walls first with the cortaldo, boring in several places, then finishing with a great bombard in the middle. The page is faint and bears further untranscribed jottings and a bombard detail labelled 'festoon.'
On this page
Touch-hole placement and powder speed govern the shot
A bombard whose breech sits between two 'trumpets' will not be let move by the fire; the more the powder is drawn to fire, the more it drives the ball and the more the gun recoils. Firing at the very end of the tail gives less flight, since it kindles from the point forward, while firing at the middle of the tail takes two contrary courses, kindles double the powder, and hurls the ball very swiftly against the rampart; a pointed tail gives the ball little flight.
The recoil explained by fire, air and repercussion
The flame issuing from the bombard, unable to receive a vacuum as fast as it multiplies, meets resistance in the air, which condenses into a resisting body like the gun; the trapped flame, forbidden to expand, thrusts the bombard back as it first thrust the ball. Leonardo likens it to a jouster's green lance that throws the rider with its butt when the point fails against a wall, and to a man in a short wine-cask who, straightening his legs against a wall, carries the cask backward with his head.
A tactic for breaching brick walls
Against walls of brick, shoot first with the cortaldo, boring and battering in several places; then shoot in the middle with a great bombard — otherwise, Leonardo warns, you will not do good work.
