Centres of Gravity of Pyramids, Prisms and Cubes
Balance proofs and geometric figures on the centres of heavy bodies, with a note on decorum in painting
The sheet is filled with solid figures—truncated pyramids, triangular prisms, cubes and parallelepipeds—each accompanied by numbers and little balance schemes as Leonardo searches for their centres of gravity. He states that every heavy body has three principal centres, that the centre of a half-pyramid lies at 7/16 toward the base, and that among squares of equal sides the proportion equals that of their heights. A note at the top adds a rule of painting—that figures must be given a decorum suited to rank, quality, age, kind and dignity—and small animal and hand studies appear in the left margin.
On this page
Centre of gravity of a truncated pyramid at 7/16
Beside a triangular prism carrying a balance scheme Leonardo notes that the centre of gravity of the half-pyramid lies at 7/16 of the way toward the base. He calls this the method for finding the centres of truncated pyramids (piramide scapezze). It is a general rule extracted from the numbered figures around it.
Three principal centres of every heavy body
In the upper-left corner he asserts that we have three principal centres of the mass of each heavy body, and that the others are infinite but all correspond to these three. The claim frames the whole page of centre-of-gravity studies. It is tested against the balance schemes drawn below.
Proportion of equal squares equals that of their heights
Repeatedly Leonardo argues that when the sides of several squares are equal among themselves, the proportion between those squares equals the proportion of their heights. He restates the rule in the lower-left corner for equilateral squares arranged so that four sides of one equal four sides of each of the others. The figures of cubes divided into numbered squares illustrate the relation.
Decorum to be observed in figures
At the centre of the upper margin Leonardo sets down a precept of painting: in figures a certain decorum must be observed according to their rank, their quality, their age, their kind and their dignity. It is an art-theory aphorism inserted among the mechanical studies. The rule governs how painted figures should be characterised.
Marginal animal and hand studies
Small sketches in the lower-left margin include what appears to be an animal study and a drawn hand, set apart from the geometric figures. They are faint and not transcribed in the bundle. Such marginal life studies recur among Leonardo's technical sheets.
