Studies of the Balance: Weight, Friction, and Gravity
Laws of the balance and its supports, the friction of the pivot, and the descent of weights
The sheet is filled with balances, suspended weights and beams accompanied by short propositions on statics. Leonardo states laws on how a support resists least where farthest from its fixture and how a weight seems heavier on a weaker resistance, then asks which of two weights causes a balance to descend, concluding it stays still when the moving excess equals the friction of the pivot. Further notes hold that a descending weight accelerates (more in straight than curved motion), that the center of gravity of a suspended weight lies on its central line, and that higher and lower are measured by distance from the center of the world, with the heavier part guiding a body's free motion. Numbers written along the beams and a small reckoning of friction ('2 of friction; 6 minus 2; 4 remains as the excess') quantify the arguments.
On this page
Two laws: resistance of the support and apparent weight
The upper-right corner states a 'second' law that the part of a support resists least which is farther from its point of fixture, and a 'first' law that a weight shows itself heavier when sustained by a weaker resistance. Together they frame how position and support strength govern felt weight.
Which weight makes the balance descend; friction at the pivot (a, d, n, c, b)
Beside a labeled balance Leonardo asks which of two weights causes its descent, answering that when the power of the excess that moves the balance equals the friction of the pole, the balance stays without motion. He adds that a weight moves more slowly as it gains lightness, and that gravity weighs along the line of its motion.
A descending weight accelerates, more in straight than curved motion
A marginal note by a balance diagram states that the more a weight descends the faster it becomes, but more in straight motion than in curved. It distinguishes the acceleration of free fall from that of a constrained, curving path.
Center of gravity of a suspended weight
Beside a weight hung from a cord Leonardo notes that the center of gravity of the suspended weight lies on the central line of that weight. The statement breaks off with 'If ...' before its qualification.
Higher and lower by the center of the world; the heavier part leads
A thing is called higher the more remote it is from the center of the world, and lower the nearer it comes to that center. Leonardo adds that the heavier part of bodies becomes the guide of their free motions.
Reckoning the excess against friction
Among the beam figures Leonardo works a small numeric reckoning: 2 of friction, 6 minus 2, leaving 4 as the excess. It ties the sequences of numbers ranged along the balance arms to the balance of moving force against friction.
