The theory of the balance: real and potential arms
Three centres of gravity and the angles the appendicles make
This densely written two-column sheet develops Leonardo's theory of the balance (bilancia). He distinguishes three centres of a body — of natural gravity, of accidental gravity, and of magnitude — and analyses the 'real' (visible) and 'potential' (invisible) arms of the balance, their appendicles, and the angles their junctions make in proportion to the weights hung on them. The page opens with a striking analogy comparing study resumed after long intervals, and the painter who steps back from his picture, to a slow blow that gathers greater force. Small balance diagrams accompany the marginal notes, and the torn right edge leaves several of these figures mutilated.
On this page
Long intervals of study, and the painter drawing back from his work
Leonardo likens a slow blow that gathers force over a long return to study taken up again after long intervals of time: the judgement becomes more perfect and better detects its own error. In the same way, he says, the painter's eye improves by standing back from his own picture.
The three centres: natural gravity, accidental gravity, magnitude
Every body of unequal shape has three centres. A straight cut through the centre of natural gravity always divides the body into two equal parts; the centre of accidental gravity is where a suspended body hangs in equilibrium, and a cut through it divides the body unequally; the centre of magnitude splits it into two equal lengths. In bodies of uniform shape and weight all three coincide.
Real and potential arms of the balance
Each arm of the balance is double: one real, one potential. Both are very short straight lines born at the centre of the balance and terminating in the appendicle from which the weight hangs, and the potential arm is always shorter than the real. The real arm is visible and palpable, the potential invisible and impalpable.
The angle of junction grows with the weight
Equal weights on equal real arms make the junction angles of the appendicles equal, and unequal weights on unequal arms make them of unequal height. The sizes of the angles of the real junction stand in the same proportion as the weights joined to the arms.
A weight grows lighter as it leaves the perpendicular
The motion of a weight suspended from the balance and carried along the length of the arm becomes lighter the further the weight moves out beyond its perpendicular.
