Surfaces of the cylinder, a theatre curtain cord, and the oblique beam
Geometry of cylinder and cone surfaces with a stage device and the curved motion of a leaning beam
A sheet worked in red chalk and pen mixing geometry with mechanics. The main text establishes when two surfaces in continuous contact are equal and derives a set of relations between a cylinder's lateral surface, its faces, the largest inscribed cone and sphere, illustrated by a small equilateral-triangle figure. A short pen note observes that a wet cord shortens while wet cloth lengthens, and a lettered figure (a b) describes a pull-cord for lowering the curtain that conceals a theatrical comedy. Turned 90 degrees at upper right, a beam-and-support figure argues that an oblique beam with a fixed lower end moves its upper end along a curve; large red-chalk structures are also drawn across the sheet.
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Equal surfaces and the unrolled cylinder
If two surfaces are in continuous contact, neither exceeding the other, they are equal. The complete revolution of the cylinder rolled upon a flat surface describes a surface equal to its lateral surface.
Wet cord shortens, wet cloth lengthens
A brief pen note over the red-chalk figure records that a wet cord shortens while wet cloth lengthens.
Cord a b for lowering the theatre curtain
A lettered figure shows a b, a pull-cord, which serves for letting down the curtain that conceals the comedy (the stage play).
Relations of cylinder, inscribed cone and sphere
When the cylinder's axis equals its diameter, the lateral surface is quadruple the face-circle. Further relations tie the inscribed cone's surface to the two faces and half the lateral surface, and the lateral surface to the largest inscribed sphere, ending with the greatest circle being quadruple the sphere's surface.
Oblique beam moves its upper end in a curve
With the sheet turned 90 degrees, a beam-and-support figure states that every oblique beam a b with fixed lower front a moves its upper front b along the curve b n d, while the support b c moves along the curve b m e.
