Quadrature of Lunules and the Flight of Birds
Circles filled with crescents beside studies of how a bird turns, steers and lands
This crowded sheet sets geometrical quadrature studies beside notes on the flight of birds. In several columns Leonardo tabulates circles filled with lunules and crescents, asserting how curved surfaces can be transmuted into straight-sided ones or divided into equal parts and 'squared'. Alongside, a series of small bird figures shows how a bird turns, steers with the horns of its tail, descends toward its heavier side, and always lands with its beak to the wind; a sketch of a tree adds that branches turn their underside to the wind. The two themes—the quadrature of curved figures and the mechanics of flight—share the page.
On this page
A circle of four lunules, a worth bcde
A circle carries four lunules lettered so that a is worth bcde. Leonardo notes that the circles are double, so that four halves are worth as much as one whole, as demonstrated in the figures below.
On the transmutation of surfaces
A programmatic list of quadrature problems: transmuting rectilinear surfaces into curvilinear ones and back, turning curved surfaces into other varied curved surfaces, and dividing curvilinear surfaces into equal parts that are themselves still curved. It reads as the plan of a treatise on squaring curved figures.
The bird making the shorter turn
The bird that makes the shorter revolution extends its wings with less obliquity, so the tighter the turn the more curved its circulation. Leonardo adds that a bird never moves backwards, because its open wingtips are never further forward than its centre of gravity, and cites the way a bird always turns its beak to the wind when it alights.
Steering with the horns of the tail
If the left horn of the tail rises as far above the central lines of motion and weight as the right horn drops below them, the bird's course must run straight, the two horns balancing one another. The left horn above bends the flight to the right exactly as much as the right horn below bends it to the left.
The bird sinks toward its heavier side
A lettered bird figure shows that a bird always inclines toward the side where it weighs more, which is the side of least breadth, so it descends along the line a b and not b a. Leonardo records having watched the sparrow and the lark climb in a straight line while held level, the raised wing rising on acquired impetus that renews as the feathers close one beneath the other.
A tree turning its branches to the wind
A sketch of a tree carries the observation that the underside of the branches of any plant always shows itself to the wind that strikes them, and that each branch leans upon another. It pairs the behaviour of vegetation in wind with the flight notes alongside.
