Quadrature studies and a note on Leonardo's treatise
Squaring curvilinear figures, a lathe, and the 'one hundred and 13 books'
Read rotated 90 degrees to the left, this side continues the squaring of curvilinear areas across two halves of the sheet, with circles divided into equal parts, lunes ('falcate') exchanged for portions, and 'flexuous' wavy surfaces classified by whether their curved sides are equal or unequal. In one long note Leonardo describes his intended masterwork of 'one hundred and 13 books' containing 33 varied ways of giving rectilinear squares equal to circles, founded on the principle that 'the thing that moves acquires as much space as it leaves'. A mechanical sketch of a lathe with a constant-power counterweight, a steel pivot and a bronze pulley-wheel appears among the figures, along with a short multiplication (20 x 17). Further mechanical sketches noted in the catalogue are present but not transcribed.
On this page
Matching a curved area to a rectilinear one across two circles
Because the greater circle is worth four of the lesser, the four portions of the lesser equal one of the greater; removing two portions from the greater and eight lesser portions leaves the surface 'a b' equal to the surface 'c d'. The argument is the recurring exchange of portions that lets a curved figure be squared.
Leonardo's treatise: 113 books and 33 ways of squaring the circle
Leonardo writes that his last work, of one hundred and 13 books, sets out 33 varied ways of giving rectilinear squares equal to circles. The whole rests on a single first proposition of motion: the thing that moves acquires as much space as it leaves, the motions being either rectilinear or circular.
A lathe with a constant-power counterweight
Amid the geometry is a lathe driven by a counterweight that takes up little room and is 'always of equal power'. Its pulley-block wheel is specified with a steel pivot turning in bronze.
A worked multiplication
A small arithmetical operation multiplies 20 by 17, laid out as partial products 140 and 20 summing to 340. It reads as a computation supporting one of the proportional arguments on the sheet.
Classifying flexuous (wavy) squarable surfaces
Leonardo distinguishes the 'flexuous' or wavy square surfaces: some are squarable with parallel equal sides, some with unequal sides, and some with equal sides of similar inequality, where the curvature throws itself now to one side and now to the other. It is a small taxonomy of the curved shapes he is trying to square.
