The game of geometry: circle transformations and sphere optics
Quadrature of lunes and biangles, with notes on the moon's light and images mirrored on spheres
The verso of the great quadrature sheet is packed with rosette, star, lune and biangle figures under the heading 'On the geometric game' (De ludo geometrico), devoted to transforming circles into various surfaces and back again. Leonardo repeatedly equates crossed-out figures with 'the four greatest portions of the greatest circle', proves lunes and half-circles equivalent, and sketches transmutations of curved portions with the help of Euclid's Elements. A left-hand column turns to optics and astronomy: how a polished sphere renders a single image to the eye while a bumpy (globulent) surface renders many simulacra, and how the moon has less light the nearer it is to the sun, earth and moon lending each other light.
On this page
On the geometric game: transforming circles and surfaces
A central heading titles the whole study: On the geometric game; On the transformation of circles into various figures of surface; On the transformation of various surfaces into various sizes and figures of circle. It frames the sheet's aim of converting curved areas to rectilinear ones and back.
Transmuting a half-portion of a circle with Euclid
Leonardo transmutes the half-portion a b c d into a b d using a proposition of Euclid's Elements: he extends the chord a b to f, forms the parallelogram a f e d with a parallel line e d, then draws the lines a c and b d. The construction converts a curved segment into an equal rectilinear figure.
One image from a polished sphere, many from a bumpy one
The uniform sphericity of a polished body gives a single simulacrum to the eye that sees it, while a bumpy, polished surface gives as many images as there are visible bumps. The number of images grows or shrinks as the observing eye moves farther from or nearer to the polished body.
The moon's light and the earth-moon exchange of light
The nearer the moon is to the sun, the less light it has from it, and conversely. Rays joining earth, sun and the observing eye are drawn (sun - world - eye), and Leonardo notes that the earth and moon lend each other their light.
