Why an Arch Holds, and a Raised Garden
A geometric argument for the strength of a braced arch, plus advice on garden earthworks
Leonardo analyses why a particular arch is strong, arguing geometrically that its chord g-h cannot be broken by pulling and that the springing angles and the semicircle above therefore cannot pass through the base, especially once tie-work and two cross-supports (r-S-t) are added. He draws the arch from front and side and labels it b-c-d, a-f-e, g-M-h. A separate note on building explains that earth dug from cellars should be banked up to form a garden (orto) as high as the hall, leaving a gap between the garden soil and the house wall so damp does not spoil the main walls.
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Why the braced arch cannot break (g-h, r-S-t)
Leonardo reasons that a larger body cannot enter a smaller one, so the curved line g-c-h, being much greater than the chord g-h, cannot pass through it unless g-h breaks by pulling, which he holds scarcely feasible. Hence the angles g-f-h and g-c-h and the semicircle above cannot pass the base g-h; and with the boards trebled around the ring and two cross-supports added at r-S-t, the arch is made entirely safe.
A raised garden built from cellar spoil
The earth excavated from the cellars is to be banked up at the side high enough to form a garden level with the hall. Leonardo insists on leaving an interval between the garden soil and the house wall so that damp does not ruin the main load-bearing walls.
