The eye: proportions of images, and where the 'idol' forms
How images map onto the curved eye by similar triangles, doubts about the uvea versus the crystalline sphere, and the camera obscura
A page of mirror-writing on how images are received in the eye, with marginal diagrams of objects before the curved eye, of rays reflected within the eye, and of light passing through apertures. Leonardo argues that the proportion of objects in a field matches their proportion on the eye's surface only when the objects are equidistant from its curvature, proving this with a proposition on similar triangles cut parallel to their bases. He then doubts where the 'idol' or image forms, at the concavity of the uvea or the convexity of the crystalline sphere, reasoning from the equality of the angles of incidence and reflection that it must pass to the front of the optic nerve. A final section demonstrates, by the rectilinear travel of rays, that images passing through narrow apertures into a dark place are always reversed, right becoming left.
On this page
Proportions of images on the curved surface of the eye
The proportion among objects scattered across a field is never the same as the proportion of their images on the eye unless the objects are equidistant from the eye's curvature. Leonardo proves this by a proposition that similar and equal triangles cut parallel to their bases yield cuts in the same proportion as the bases, and shows a cut not parallel to its base breaks that proportion.
Where the idol forms: uvea concavity or crystalline sphere
There is doubt whether the image (idol) forms in the concavity of the uvea at p or the convexity of the crystalline sphere at n. Because the angle of incidence would not equal the angle of reflection at the uvea, Leonardo judges the image of c travels by lines c x, x m, m n and passes into the crystalline sphere along n r t to be received at the front of the optic nerve l S t, so that a left-hand point c sends its image to a left-hand t.
Images through a narrow aperture in a dark place are reversed
It is impossible for the species of bodies passing through apertures into a dark place not to be reversed, since the particles of every shadowy or luminous ray are rectilinear. The lower point b of an object imprints high on the wall and the upper point a imprints low, so the right end becomes left and the left becomes right.
Similar triangles cut parallel to their bases
The 'ninth of this book' is invoked: similar and equal triangles cut by a line parallel to their bases have their cuts in the same proportion to one another as the bases. Cuts a n and n g, made at equal distances from the apex h, illustrate that the parallel cut n g stands to base e r in the same subduple ratio as a n to base d e.
