Codex Atlanticus16 pages
- Counterweight for a lever's friction, with a dissection note
- How the Eye Sees Things Placed Before It
- Finger motion and the squaring of curved triangles
- Prefaces on experience, the muscles, and the eye
- How Water Moves Through the Veins of the Earth
- Vision, mirrors and the anatomy of the eye
- Rat breeding, sun-moon-earth eclipses, and hand muscles
- The eye: refraction and inversion of images in vision
- The eye: intersection of visual rays and inverted images
- Figure of the eye: contrary apparent motion of images
- The theory of vision: light, colour and the eye
- Balance and friction rules, and a design for a pleasure garden
- Wheels on Pivots; Crossed Optic Nerves; a Buckle Account
- Light Reduced to a Point; the Eye and Water Studies
- Copper-melting furnace and embryonic umbilical studies
- Spinning top and the motion of water in the veins
Codex Arundel13 pages
- Bellows with contrary valves for furnaces
- The bird's eye and the angle of incidence on a sphere
- The nature and origin of force
- The Four Accidental Powers and Crossbow Ballistics
- Light through a window, the eye's inner sense, and hair recipes
- Water as the vital humour of the earth's body
- The circulation of water through the earth's veins
- Water as the Vital Humour of the Earth
- Water, Blood and Sap: the Earth's Great Circulation
- The Nature of Force: Daughter of Motion, Mother of Weight
- The Eye, Light Through a Window, and Recipes for the Hair
- Water as the blood of the earth
- Vital heat and the circulation of the earth's waters
Codex Forster II1 pages
Codex Forster III3 pages
Codex Madrid II1 pages
Codex Urbinas (Treatise on Painting)24 pages
- Where to Stand to the Light; Judging Limbs and Anatomy
- Muscles in Action and the Vice of Repeating Faces
- Treatise on Painting: the anatomist-painter and the 'wooden' figure
- Treatise on Painting: muscles through life's ages, and natural poses
- Children's Slender Joints and the Proportions of Men
- Measurements of the Body and the Bending of the Arm
- Proportion of the Limbs; Joints of the Hand and Foot
- Limbs That Swell or Shrink When Bent; Muscles in Action
- The Three Movements of the Neck; Faults of the Painter
- Which Muscles to Show, and the Kinds of Motion
- The Quality of Nudes: Slender, Muscular and Fat Bodies
- Muscles in Movement and When to Show Them
- Show Muscles Only in Straining Limbs; Skin Over Muscle Hollows
- Do Not Search Out Every Muscle in a Nude
- How Nature Hides the Bones; Skin, Fat, and Aging
- Why the Painter Must Know Anatomy
- Tendons Without Muscle and the Body's Sesamoid Bones
- The Utmost Twist to Look Behind; Arms Behind the Back
- Crossed Arms and the Windup of a Great Blow
- The Elbow as a Lever: Why Pulling Beats Pushing
- Why the Straight Arm Cannot Push, and the Flesh at the Joints
- The Knee Bends Only Forward, and Rising from a Kneel
- Contents of Part Three: The Single Figure, Attitudes and Muscles
- Contents of Part Three: Anatomy, Force and Motion of Man
Codex on the Flight of Birds1 pages
Paris Manuscript A2 pages
Paris Manuscript D19 pages
- Front cover of the notebook
- Spine of the closed notebook
- The Eye: Unequal Visual Power and the Convex Pupil
- Why a light's rays seem to spread as it nears the eye
- The Eye: How Images Enter and Bend Within the Eye
- The pinhole eye: images enter inverted, the sense sees them upright
- The Human Eye: How Images Cross Twice Within the Eye
- A water-filled glass eye model and the two intersections of vision
- The Human Eye: Pupil Size, Mirrors, and Two-Eyed Vision
- The whole pupil sees: refuting the single-point of vision
- Why the owl sees by night: pupil size and the brain's chamber
- The Human Eye: The Pupil's Adaptation to Light and Dark
- The Human Eye: Vision Fills the Whole Pupil, Not a Point
- The pupil widens in the dark; a wider pupil enlarges the image
- The eye: why the right does not appear on the left in vision
- The eye as a camera obscura: how images cross and refract inside it
- Why lights seem to sprout rays: reflection on the edges of the eyelids
- The eye: proportions of images, and where the 'idol' forms
- Species fill all the air, and why the eye cannot fix a remote edge