Balances analysed by right-angled pendants and arms
Natural weight, accidental force and the geometry of the lever
A crowded double page continuing Leonardo's study of the balance, with many diagrams of beams, cords, pendants and suspended weights labelled a through K. He defines the true length of a balance arm as the space from its centre to where a pendant crosses the beam at a right angle, and works a case where a resistance arm four times the power arm lets one pound resist four. A central problem splits an 8-pound load equally onto two inclined beams as 'natural weight,' with an added 'accidental weight' called force that grows as the beams' upper angle becomes more obtuse. He insists that where pendants meet the arms at acute angles, the calculation must be recast onto potential arms set square to potential pendants.
On this page
The true length of a balance arm
Where the real pendant a b cuts the balance beam at a right angle, the space between that cut and the balance's centre is the true length of the arm. The semi-real pendant c b, cutting the arm d f at point c, thus fixes the arm's length as c d.
A fourfold resistance
With the resistance arm a b four times the power arm a d, one pound placed at the end of a b resists four pounds at the end of a d moved by the pendant d f. The reckoning is made with mathematical lines, not with the weight of the instrument's parts.
Natural weight and accidental force
The 8-pound weight c loads 4 pounds on the base of beam n m and 4 on beam n a, making 8 pounds of natural weight. Beyond this the bases receive accidental weight, called force, which gains power as the upper junction of the beams is made with a more obtuse angle.
Naming the arms and pendants of a machine
Four pendants support the weight m, of which two are semi-real; of the balance's arms, two are real (a g, a b) and three potential (a b, a c, a e). This lays out the whole quality of the machine, whose full power is to be defined in its place.
Acute junctions must be recast as right angles
Because the five pendants meet the balance arms at acute rather than right angles, the true calculation must use potential pendants set square to potential arms. The lever a d then stands as 4 against 3 of the counter-lever a e, so the pendant d c lifts 4 at e f.
