A taxonomy of the motions and blows of heavy bodies
Definitions of incident, rebounding, simple and compound motion, and of percussion
On this densely written pair of folios Leonardo sets out an ordered vocabulary for the motion of heavy bodies: three principal motions (violent, transversal, natural), the incident and rebounding phases, and percussion defined as the end of one and the beginning of the other. He distinguishes augmentative from diminutive motion, three kinds of trajectory line, and simple from compound (rotating) motion, and classifies the movers as counterweight, spring or blow. The natures of percussion are split into simple and compound, illustrated by the sculptor's chisel passing a blow to the marble and by a hammer's doubled stroke. Small labelled diagrams occupy the right margin of the first folio; further untranscribed marginal notes are also present.
On this page
The principal, mixed and compound motions of heavy bodies
Leonardo orders the motions of heavy bodies into three principal kinds (violent, transversal, natural) and two mixed kinds, then defines incident motion (from mover to the place of percussion) and rebounding motion (from percussion up to the highest point). He adds augmentative and diminutive qualities and three kinds of trajectory line: direct, equidistant and oblique.
Two modes of striking and two kinds of injury
There are two ways the moving body strikes its object, according to whether the object is at rest or moves against it. The injury falls on whichever body is of lighter quality. And percussion itself is of two modes: one that consumes itself and one that rebounds.
Simple versus compound motion; the chisel and the doubled blow
Motion is either simple, leaving the body's axis unchanged, or compound, adding a rotation to the straight advance. The movers are counterweight, spring or blow. Percussion is simple or compound, as when a blow passes from the sculptor's chisel into the marble, and a doubled blow occurs when a hammer strikes twice with its opposite parts.
