Guarding the flying machine against a fatal fall
Strength against breakage, the heavier centre set below, and recovery from a head-down pitch
On folio 12v Leonardo turns from birds to his flying machine (the strumento), listing two ways it can be wrecked: the frame breaking, or the craft tipping onto its edge, and prescribing that it always descend obliquely and be built of the greatest strength. He argues for stability by placing the centre of gravity of the machine directly above, but well apart from, the centre of the load it carries, giving a worked example of 4 braccia of separation in a machine 30 braccia wide, with the heavier part below, citing the fourth book of his Mechanical Elements. Marginal bird figures and a circle divided into sectors illustrate the possible directions of a fall, and a red-chalk flower is drawn below the writing.
On this page
Two ways the flying machine can be wrecked
The machine can be ruined in two ways: by the frame breaking, or by turning onto its edge (or near it), since it must always descend at a steep obliquity, almost along the line of equality. Against breakage it should be made of the utmost strength along every line by which it might turn over.
Set the heavier centre below the lighter for a stable descent
Give the machine's centre of gravity directly above the centre of the load it carries, well separated: in an instrument 30 braccia wide the two centres should be 4 braccia apart, the heavier below, so the heavier part guides the descent. The lighter part cannot fall below the heavier over a long descent, as proved in the fourth book of the Mechanical Elements.
Recovering when the machine pitches head-down
If the craft falls head-down with the body slanted toward the earth, the undersides of the wings should be turned flat against the earth and the tail raised toward the loins, with the head turned earthward. A deflected motion is then born that throws the craft back toward the sky, provided one wing is slightly lowered while climbing.
Flower drawn in red chalk beneath the text
Below the written passages the sheet carries a study of a flower executed in red chalk (sanguigna), noted by the transcriber as accompanying the text on this folio.
