The wing's thumb and the tail as two rudders of flight
Sealing air on the downstroke, cutting it on the upstroke, and steering with the tail
On folio 13v Leonardo details the wing's thumb (labelled n on the hand m n): on the downstroke it drops below the hand, closing off the air's escape so the air condenses and resists the wing's rowing, which is why nature gave it a strong bone, powerful tendons and short stout feathers, likening it to a cat's claws gripping a tree. On the upstroke the thumb aligns with the other fingers and cuts the air like a rudder. He then treats the tail as the second rudder, set beyond the bird's centre of gravity, showing how striking it from below or above tips the front down or up, and how twisting it obliquely turns and banks the bird to either side. A red-chalk flower is drawn below the writing.
On this page
The thumb seals the air on the downstroke
The thick thumb n of the hand m n drops lower than the hand as the wing beats down, closing off the escape of air so that the air condenses and resists the wing's rowing. Nature therefore made this thumb of a strong bone with the strongest tendons and short stout feathers, on which the bird leans upon the condensed air with all the wing's force, driving itself forward as a cat's claws grip when it climbs trees.
Condensed air resists and supports the wing
When the wing lowers, the thumb impedes the air's flight so that in that position the air condenses and resists the rowing of the wing. On the upstroke the thumb sets itself in a straight line with the other fingers, and with its cutting edge splits the air, acting as a rudder that slices the air for whatever high or low motion the bird wishes to make.
The tail as the second rudder that steers the bird
The second rudder lies on the opposite side, beyond the bird's centre of gravity: this is the tail. Struck by the wind from below it lowers the front of the bird; struck from above it raises the front; twisted to show its underside toward the right or left wing it turns the front that way, and struck obliquely from above it makes the bird turn, circling and climbing to that side.
Flower drawn in red chalk beneath the text
Below the written passages the sheet carries a study of a flower executed in red chalk (sanguigna), noted by the transcriber as accompanying the text on this folio.
