Preface: a petition to the reader and perpetual motion
Postulates for the reader, the folly of the perpetual wheel, and a bombard the size of the world
This opening leaf sets out a petition to the reader — asking that the line from object to eye be taken as straight and that round bodies moving on planes be understood as perfect — before Leonardo's celebrated denunciation of the search for perpetual motion as a vain 'credulity' that has ruined its seekers like the alchemists. He recalls builders who came to Venice hoping to drive mills in dead water, and proposes instead raising quiet water so that its descent may do work as at a mill. Further passages offer a thought-experiment on a bombard whose ball is the world and a meditation on casting a monument in bronze and its fate. Faint marginal jottings along the left edge lie outside the supplied transcription.
On this page
The search for perpetual motion condemned
Among the superfluous and impossible credulities of men, Leonardo names the search for continuous motion, 'called by some the perpetual wheel', which has consumed centuries of experiment and expense. Those who chase it end like the alchemists, losing everything for a small part. He offers his little treatise as 'alms' to give such investigators rest.
Raising still water to drive a mill
The scheme is to lift quiet water — from a marsh, well, or sea — with instruments, so that in its descent it may do work as ordinary water does at a mill. Leonardo mocks the 'simpletons' who hoped to make mills move in the dead water at Venice.
A bombard whose ball is the world
As a thought-experiment, if a bombard could take the world for its ball: since a bombard throws a one-braccio ball 3 miles (9000 braccia, i.e. 9000 ball-lengths), such a bombard would hurl the world nine thousand times the length of its own diameter. At seven thousand miles per world that would be 63 thousand miles. It opens with 'Whoever denies the reason of things publishes his own ignorance.'
On casting a monument in bronze, and its fate
If you do not cast in bronze so it cannot be carried off, remember the good things of Rome were spoils of conquered cities; even the obelisk and the two horses, of marvellous weight, did not escape. Made too clumsy, a work becomes wall and mortar. Since most things give more honour to their maker than to the payer, do as you please, for everything has its death.
A petition to the reader on lines, planes and round bodies
Leonardo asks his readers to grant that the line from an object to the eye, through air of one quality, be straight. When he proposes lines of a plane at various obliquities he means them straight, and when he speaks of round bodies moving on such planes he means them perfect. A first line notes: 'for the compass, take wax and oil.'
