The Perfect Balance and a Black-and-White Water Experiment
Law of weights and arms with a worked example; mixing black and white water through crossed conduits
At the upper right a box holds two cisterns m and n whose black and white waters pour through crossed conduits o and r into vessels a and b, and Leonardo asks what color the mixed water will be, proposing to try the conduits both covered and open, and even to repeat the test using winds of different odors. The bulk of the page states and works the law of the perfected balance: multiply the degrees of a weight by the degrees of its arm, then divide by the degrees of the opposite arm. A numerical example takes 5 pounds at 7 degrees and finds the counter-weights (35 at one degree, 17½ at two) that resist it. A further note distinguishes spiritual from material motion, and primitive from derivative.
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Mixing black and white water through crossed conduits
Two cisterns m and n, one holding black water and one white, empty through crossed conduits o and r into two vessels a and b; Leonardo asks what color the water will be. He proposes trying the conduits first covered, so they pour only through the mouth, then uncovered, and notes the same experiment can be made with winds of various odors.
Law of the perfected balance
To find the far-side weight that resists a near-side one, multiply the degrees of a weight by the degrees of the arm that carries it, then divide by the degrees of the opposite arm. The balance arm is measured from the center of the fulcrum to the middle of the place where the weight hangs.
Worked example: 5 pounds at 7 degrees
A weight of 5 pounds hangs 7 degrees from the fulcrum. Multiplying 5 by 7 gives 35, which placed at one degree on the far side resists it; halved to 17½ it resists at two degrees. The rule is generalized: multiply weight by its arm, divide by the opposite arm.
Nature of motions: primitive and derivative
Motion, properly change of place, is of two natures, spiritual and material; the material divides into primitive and derivative. The primitive is made by the instruments while they hold the moving thing; the derivative is what the thing makes once it has left the instrument, and is always in proportional quantity with the primitive in motion, time and celerity.
