Percussion and rebound: axe on wood, drops on water
The line of rebound equals the line of incidence; the pyramidal splash of a falling drop
A sheet on the physics of the blow and the rebound of struck matter, illustrated by several small sketches of an axe splitting a wood cylinder. Leonardo argues that the first part severed from the wood bounces farthest, because it takes the blow at the first degree of its force, and that any dense body, or a piece cut by an oblique stroke, departs along a line whose obliquity equals that of the incidence. A note at the top asks him to weigh the wheel against its turning, and the page closes with a study of how a drop falling on water is thrown back up in pyramidal form.
On this page
The first-struck end of the wood bounces farthest
The part of the wood that first receives the percussion takes the blow at the first degree of its force and so travels farthest; the second part leaps less because the fury of the blow has already fallen, and the third and fourth less by degrees. Water, air, and fire produce similar reboundings on the objects that stand across their courses.
A piece cut obliquely departs at the angle of the blow
The piece of wood separated by the cutting iron leaves the remaining wood at an angle equal to the inclination of the stroke. This is shown by the sketch of the axe held obliquely.
Line of rebound matches the line of incidence
Every body of dense surface that falls upon a resistant object rebounds along a line whose obliquity equals that of its incidence. The idea is illustrated by matter falling on a curved surface.
Why a falling drop throws up a pyramidal splash
Water falling on water cannot flee downward as fast as it is struck, so it seeks the least resistance and runs up into the air; the encircling ring, closing with fury, raises the escaping water into a pyramidal form. Drop a pebble and you will see the water, not the stone, leap up.
Reminder to weigh the wheel against its turning
A memorandum to examine the weight of the wheel and the resistance it exerts upon the pole against its turning, keyed to the small wheel figure at the head of the page.
