Library/Paris Manuscript C

Paris Manuscript C

Manoscritto C

Images: Bibliothèque de l'Institut de France, Paris · All credits

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Front Cover: Gilt-Tooled Leather Binding
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Back Cover: Gilt-Tooled Leather Binding
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Spine of the Bound Volume
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Fore-Edge of the Bound Volume
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Upper Edge of the Bound Volume
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Lower Edge of the Bound Volume
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Front pastedown with Institut de France bookplate
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Title leaf naming the volume an autograph of Leonardo
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Blank verso of the title leaf
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Blank guard leaf with a small pen monogram
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Blank guard leaf with faint ruled construction lines
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Optics & LightHow light and shadow fall on bodies: primitive and derivative shadow
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Optics & LightHow shadow varies when light is larger than or equal to a body
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Optics & LightForked shadows from a pyramidal opaque body
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Optics & LightUniform shadow, and shade sharper far from the light
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Optics & LightWhy bodies near the horizon look larger; sunlight through a chink
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Optics & LightSmall light gives sharp shadows; the speed of a cast shadow
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Optics & LightGraded light along the penumbra of a large light source
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Optics & LightLight and Shadow: Angle of Incidence and Compound Shadows
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Optics & LightThe Science of Shadow: Foreshortening and Derivative Shadows
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Physics & MechanicsMotion, Voice, and the Blow: Mechanics Demonstrations
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Optics & LightThe Motion of Air and Water; Optics of the Pinhole
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Physics & MechanicsForce, Weight, and the Instantaneous Blow
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Physics & MechanicsThe Blow, Pulleys, and Jets of Wine and Water
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Physics & MechanicsPulleys, Balances and the Three Shapes of a Shadow
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Optics & LightPyramids of Light and Shade; Why Distant Flames Look Round
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Optics & LightHow Many Shadows a Body Casts Between Two Lights
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Optics & LightVisual Rays, and the Pinhole Image of an Aperture
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Optics & LightWhere Light and Derived Shadow Mingle in the Air
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Optics & LightBright Light, Dark Shadow, and the Eye Among Bodies
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Optics & LightLight through an aperture keeps the source's shape
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Optics & LightDerivative shadow keeps the shape of the original shadow
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Optics & LightWhich edge of a cast shadow is darkest
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Optics & LightForeshortened shadows and why a flat surface looks larger
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Optics & LightColours fade with distance except where sunlight strikes
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Optics & LightOverlapping shadows and where colour vanishes in shade
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Optics & LightShadows Cast by Four Lights and Four Bodies
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Optics & LightOverlapping Shadows Doubling in Darkness
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Optics & LightRays Through an Aperture and the Kinds of Shadow
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HydraulicsColliding Balls, a Vibrating Blade, and a Canal Research Program
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Personal NotesMemorandum of 23 April 1490 and the Thefts of the Boy Giacomo
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Optics & LightThe Eye's Pupil in Darkness and Light; Echo and Reflection
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Optics & LightOn Shadow: Primary and Derivative Light on Spheres
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Optics & LightCast Shadows and Their Central Axes
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Optics & LightThe Sun Mirrored upon the Water
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Optics & LightCast Shadows and the Blue of Distant Things
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Optics & LightWhen a Shadow's Shape Follows Body or Light Source
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Optics & LightMixing Two Shadows: Perfect and Imperfect
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Optics & LightVisual rays of two eyes, number games, and the toll of Modena
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Optics & LightHow the species of things fill every point of the air
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Optics & LightDerivative light and the strength of its illumination
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Optics & LightPrimitive and derivative shadow: darkness set by proportion
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Optics & LightImpact of the derivative shadow and the best-lit surface
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Optics & LightWater in a bucket, shadows from many lights, and the blow of a hammer
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Physics & MechanicsPercussion and rebound: axe on wood, drops on water
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Optics & LightHow the eye discerns a body against its background
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HydraulicsStill water keeps its level; skimming oil off a lake
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Optics & LightBright backgrounds shrink a body; the echo of a blow
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HydraulicsRiver currents, rolling stones, and a spinning wheel
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HydraulicsWaves raised by wading; mixing wine and water; a candle's shadow
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HydraulicsRiver waves against the wind; surface and bottom currents
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HydraulicsHow a stone on the river-bed scours the channel
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Hydraulics'What is water' — the nature and powers of the element
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Painting & PerspectiveThe eye and the visual pyramid; light and shadow on bodies
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Painting & PerspectivePerspective, diminution, and shadow on opposed bodies
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Physics & MechanicsThe blow: turbid water and the rebound of colliding spheres
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HydraulicsOn weights, and the force of water striking obstacles in a canal
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Blank leaf with a later foliation note
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Blank leaf with faint stylus lines
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Blank leaf with a small ink mark
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Blank leaf with library stamp
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Blank leaf at the end of the notebook