Concave mirrors, the cloud as a bombard, and water reshaping the earth
The pyramid of reflected rays; thunder from a compressed cloud; the great litany of water
One leaf carries a large figure in which a pyramid of straight lines converges from an upper point down onto a circle, the geometric counterpart of the ray-optics discussed opposite. The text opens by comparing the sun striking concave mirrors, whose reflected pyramid grows hotter as it narrows, to condensing vapour whose trapped heat concentrates until the cloud ignites and becomes, as Leonardo puts it, a bombard that breaks with thunderbolts and thunder. It then unfolds a sustained litany of water as the sculptor of the earth: wearing down mountain summits, driving the sea from ancient shores, raising sea-beds, and proving that no height was never once under the sea nor any depth never once a mountain. A closing catalogue insists that water takes on the nature and colour of every place it passes, ending "with time everything goes changing."
On this page
The pyramid of rays from a concave mirror
The sun striking concave mirrors rebounds in a pyramidal concurrence, and that part of the pyramid is hotter than its base in proportion as it is thinner. By analogy, when humidity draws together the hot vapour mixed in it grows more powerful the more it is united and the smaller the space to which it is reduced.
The cloud becomes a bombard
The concentrated heat multiplies until the cloud catches fire and makes of itself a bombard, breaking with ruinous thunderbolts and thunder. The little grains of water, compressed by the cold, cling together and fall by their weight, so the cloud is undone and returns as rain.
Water wears the mountains and raises the sea-beds
Water wears away the high summits, lays bare and removes great rocks, and drives the sea from its ancient shores by raising the bottom with carried soil. Leonardo concludes that no part of the earth is so high the sea was not once at its foundations, and no sea so deep that lofty mountains were not once founded there.
Water transmuted into the nature of each place
As a mirror transmutes into the colour of its object, water transmutes into the nature of the place it passes: healthful or harmful, sulphurous, salt, red, yellow, green, black, blue, oily or lean. It kindles or quenches fire, lifts or lays down, fills or empties, is cause of life or death, and with time everything goes changing.
Pyramid of converging lines over a circle
A large drawing shows many straight lines converging from a single upper point down to a circle, forming a slender pyramid or cone above the circle. It reads as the geometric scheme of the pyramidal concurrence of rays described in the facing text.
